When the band tours, it can afford a bus, an extra keyboard player, and sound and lighting engineers. (That U2 tour had a wardrobe manager.) After covering expenses like recording, publicity, and all the other machinery of a successful act (“Agents, lawyers, tour managers, the merch girl, the venues take a merch cut; Ticketmaster takes their cut; the manager gets a percentage; publishers get a percentage”), Grizzly Bear’s members bring home … well, they’d rather not get into it. “I just think it’s inappropriate,” says Droste. “Obviously we’re surviving. Some of us have health insurance, some of us don’t, we basically all live in the same places, no one’s renting private jets. Come to your own conclusions.” Rock bands are generally obligated to express profound gratitude for any kind of success, and Grizzly Bear’s seems thoroughly genuine. They will also acknowledge that it’s “a weird life,” that it’s not always easy, that it requires a mix of sacrifice and raw compulsion and rigorous overhead-cutting, and that they sometimes wonder what they’d do if the band fell apart.Seriously, though, their new album is excellent.
A compendium of perspicacious reportage and a weblog about all things pertaining to politics, news and intergalactic agriculture; weblog of Alistair Murray.
To Be Indie-Rock Royalty
Even for a relatively successful band like Grizzly Bear (fab new track here), it still doesn't pay that well: